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ETHNE HOUSE

ETHNE HOUSE

ETHNE HOUSE

Ethne House presented a familiar tension: the considered dignity of original Federation fabric, and a contemporary addition already resolved above it. A striking angular steel form rises over the Randwick footprint, and rather than treating this as a constraint to work around, we took it as the generative force for the entire interior concept.

 

Our concept was Frame and Angles. Every decision, from the largest spatial relationships to the smallest joinery detail, traces back to that single organising idea.

 

A transitional corridor links the Federation original to the new extension, framing the approach to the dining room in the way a gallery might frame a threshold. The kitchen and scullery are held in a similar relationship, adjacent but distinct, connected through a considered reveal rather than an open wall. That geometry carries through underfoot in the feature floor at the threshold, a contemporary reinterpretation of chequerboard laid in two complementary marbles whose tonal difference reads from a distance and dissolves at close range.

 

The original Federation rooms were retained intact. The study and rumpus room preserve their cornices, architraves and tall doors, and we chose not to soften the distinction between old and new. The junction is clear and in its clarity, becomes part of the design's character. The new ground floor bathroom was calibrated to the same temperament as the original fabric, contemporary in execution but held in the same tonal register as the rooms surrounding it.

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Concealment was central to our planning strategy. The staircase undercroft was carved into two distinct zones: storage for the daily accumulation of family life on one side, and the scullery with the oven set into the wall itself on the other. Full-height joinery at the scullery entry means the kitchen reads as a composed, minimal elevation from the living and dining areas, with the practical workings of the house held discreetly out of view.

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The clients came to the project with a clear preference for neutrality, and we interpreted that brief not as restraint but as an opportunity for texture and material specificity. Oak joinery and engineered timber floors establish a warm, consistent grain throughout. Two marbles, one warmer and one cooler in tone, are used in counterpoint across the kitchen and feature floor, introducing material depth without introducing colour. Against this ground, we placed colour with precision: a deep inky blue armchair in the study, upholstered plum dining chairs at the table, and a grey-blue laundry that the clients initially approached with hesitation before it became one of the most-loved spaces in the home.

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Sauna at Pokolbin House featuring timber panelled door.
Natural stone and European oak selected for bathroom vanities at Pokolbin House.
Herringbone tile floor at Pokolbin House.

Bathroom vanities were custom designed in
natural stone and solid European oak, with
unique junctions exploring the relationship
between individual finishes and the overall vanities.

Blue statement chair selected for Pokolbin House.
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Hallway at Pokolbin House featuring timber flooring and curved walls.
360 degree bushland views at Pokolbin House.
Bathroom at Pokolbin House featuring herringbone tile flooring and black framing.

Rectilinear limestone tiles were selected for two of the bathrooms for both the walls and floors. The interplay of vertical and horizontal elements outside—trees, landscape and pavilions—inspired a complementary tile layout. Careful detailing and a custom side-in order ensured perfect alignment when moving from the vertical to horizontal plane. We took time to establish clear and precise visuals so that the tradespeople could execute what was designed.

Master Bedroom at Pokolbin House featuring linen curtains and statement art piece.

Shower niches within the bathrooms elegantly
taper back to form a shelf in a delicate exploration of depth and materiality.

Tapered shower niches in Pokolbin House bathroom.
Timber decking at Pokolbin House entrance.
Bedroom at Pokolbin House featuring vineyard views and linen curtains.
Natural timber and hanging lighting selected for bathroom vanities at Pokolbin House.
Statement lamp in Pokolbin House Bedroom.
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Hallway at Pokolbin House featuring linen curtains and timber flooring.
Backyard at Pokolbin House featuring grand tree and children playing.
Bathroom at Pokolbin House featuring earthy shower tiles and timber towel rack.

To avoid mounting any hooks or towel rails on the marble walls,
a standalone piece was designed to hold both oversized bath towels and hand towels. A solid piece of travertine grounds a pair of fine timber quadrants which meet one another as a freestanding drying rail. Pieces like these were approached as miniature, mobile joinery items, which were first translated into 3D imagery to communicate the proposed vision to both clients and trades.

Courtyard at Pokolbin House featuring neutral outdoor furniture and gravel floor.
Natural timber flooring and linen curtains selected at Pokolbin House.

Excess travertine and natural stone from the build were used for custom pieces of furniture such as a bathroom towel rack and a bedroom side table, with the intention of avoiding waste and continuing the material language throughout the home.

Bathroom at Pokolbin House featuring linen curtains and natural stone benches.
Bathroom at Pokolbin House featuring natural stone sink.

The Master Ensuite vanity is a custom stand-alone piece layered in marble with bronzed brass drawer fronts below.

Walk In Wardrobe at Pokolbin House featuring custom timber cabinetry and flooring.
Custom timber cabinetry and black hardware selected for Pokolbin House Walk In Wardrobe.

Custom joinery handles were designed as solid oak blocks with a semi-rebated bronzed brass rod — again, exploring the theme of Form & Connection between materials.

Cobbled stone wall and hilly vineyard views at Pokolbin House.
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Pokolbin House exterior featuring cobbled stone base and floor-to-ceiling windows.
Courtyard at Pokolbin House featuring cobbled stone walls and timber posts.
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PHOTOGRAPHY

Prue Ruscoe & Brett Boardman

FILM PRODUCTION

Tommy Devy

ARCHITECT

Woodward Architects

BUILD

PCM Projects

Living Room at Pokolbin House featuring blue statement chair and indoor outdoor connection.
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