
ETHNE HOUSE
ETHNE HOUSE
ETHNE HOUSE
Ethne House presented a familiar tension: the considered dignity of original Federation fabric, and a contemporary addition already resolved above it. A striking angular steel form rises over the Randwick footprint, and rather than treating this as a constraint to work around, we took it as the generative force for the entire interior concept.
Our concept was Frame and Angles. Every decision, from the largest spatial relationships to the smallest joinery detail, traces back to that single organising idea.
A transitional corridor links the Federation original to the new extension, framing the approach to the dining room in the way a gallery might frame a threshold. The kitchen and scullery are held in a similar relationship, adjacent but distinct, connected through a considered reveal rather than an open wall. That geometry carries through underfoot in the feature floor at the threshold, a contemporary reinterpretation of chequerboard laid in two complementary marbles whose tonal difference reads from a distance and dissolves at close range.
The original Federation rooms were retained intact. The study and rumpus room preserve their cornices, architraves and tall doors, and we chose not to soften the distinction between old and new. The junction is clear and in its clarity, becomes part of the design's character. The new ground floor bathroom was calibrated to the same temperament as the original fabric, contemporary in execution but held in the same tonal register as the rooms surrounding it.



Concealment was central to our planning strategy. The staircase undercroft was carved into two distinct zones: storage for the daily accumulation of family life on one side, and the scullery with the oven set into the wall itself on the other. Full-height joinery at the scullery entry means the kitchen reads as a composed, minimal elevation from the living and dining areas, with the practical workings of the house held discreetly out of view.





The clients came to the project with a clear preference for neutrality, and we interpreted that brief not as restraint but as an opportunity for texture and material specificity. Oak joinery and engineered timber floors establish a warm, consistent grain throughout. Two marbles, one warmer and one cooler in tone, are used in counterpoint across the kitchen and feature floor, introducing material depth without introducing colour. Against this ground, we placed colour with precision: a deep inky blue armchair in the study, upholstered plum dining chairs at the table, and a grey-blue laundry that the clients initially approached with hesitation before it became one of the most-loved spaces in the home.









Bathroom vanities were custom designed in natural stone and solid European oak, with unique junctions exploring the relationship between individual finishes and the overall vanities.








Rectilinear limestone tiles were selected for two of the bathrooms for both the walls and floors. The interplay of vertical and horizontal elements outside—trees, landscape and pavilions—inspired a complementary tile layout. Careful detailing and a custom side-in order ensured perfect alignment when moving from the vertical to horizontal plane. We took time to establish clear and precise visuals so that the tradespeople could execute what was designed.

Shower niches within the bathrooms elegantly taper back to form a shelf in a delicate exploration of depth and materiality.














To avoid mounting any hooks or towel rails on the marble walls, a standalone piece was designed to hold both oversized bath towels and hand towels. A solid piece of travertine grounds a pair of fine timber quadrants which meet one another as a freestanding drying rail. Pieces like these were approached as miniature, mobile joinery items, which were first translated into 3D imagery to communicate the proposed vision to both clients and trades.



Excess travertine and natural stone from the build were used for custom pieces of furniture such as a bathroom towel rack and a bedroom side table, with the intention of avoiding waste and continuing the material language throughout the home.


The Master Ensuite vanity is a custom stand-alone piece layered in marble with bronzed brass drawer fronts below.


Custom joinery handles were designed as solid oak blocks with a semi-rebated bronzed brass rod — again, exploring the theme of Form & Connection between materials.






PRESS / AWARDS
Australian Institute of Architects
Financial Review Newspaper
2023 | Australian Interior Design Awards (AIDA) – Shortlisted


PHOTOGRAPHY
Prue Ruscoe & Brett Boardman
FILM PRODUCTION
Tommy Devy
ARCHITECT
Woodward Architects
BUILD
PCM Projects

